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In many various live performances settings, having the best wireless microphone and/or microphone system is crucial to providing a great sounding performance, even more so in 2024.
With new models coming out all the time, it can get difficult to decide which wireless mic system is right for you and your needs. Whether you are in a church, at an arena, a bar, or just making music at home, wireless microphone systems are incredibly useful and also sound great. This article details reviews of some of the best wireless microphones and wireless systems available for purchase in 2024.
Here are the best wireless microphones/systems:
- Sennheiser EW 100 G4-835-S
- Shure PGXD24/SM58
- Audio-Technica ATW-1102
- Shure QLXD24/SM58
- GTD Audio G-733H
- Sennheiser XSW 1-835 Dual-A
- Behringer Ultralink ULM302MIC
- Xvive Audio U3
- Rode Wireless GO
- Line 6 XD-V75
1. Sennheiser EW 100 G4-835-S
Perfect for vocals at a mid to high end level price
Sennheiser is definitely one of the most popular contenders of the live performance microphone world. While not as popular as Shure, Sennheiser’s microphone systems are quite advanced and provide many uses. The EW 100 G4-835-S is one of the best wireless microphone systems around and it comes with a fantastic wireless vocal microphone, the Sennheiser e 835.
The e 835 dynamic microphone has a cardioid pattern to reduce the chance of picking up background noise. It sounds very clear and helps with enhancing the singer’s voice. The frequency response range is 40 Hz to 16 kHz, which is slightly less than your typical range of hearing at the high end, but it doesn’t reduce the high-quality sound that Sennheiser’s products offer.
An EM 100 G4 rack-mount receiver provides 1,680 frequencies to choose from within a 42 MHz bandwidth to prevent radio frequency interference. The system is also very flexible and customizable, giving you the ability to link up to 12 other receivers with it simultaneously, so it’s great for performances with a lot of vocalists.
The transmitter can reach up to 330 feet away, making this one of the best wireless mic systems for church or another mid-sized venue. Luckily this receiver is compatible with previous model transmitters, so you don’t have to upgrade all your gear if you don’t want to or need to.
The wireless mic transmitter and the receiver can be synchronized between each other with the simple press of a button, so setup is effortless. Meters are displayed on the EM 100 G4’s screen to show volume level, peak, the frequency channel, and battery life, although they aren’t that large so you may have a hard time seeing them if your receivers are not set up near your mixer.
Both the transmitter and receiver are rugged and the transmitter will stand up to sweat, humidity, dirt, and rough handling from clapping and other motions, or just from being on tour in general. The receiver is very sturdy but you shouldn’t stack a bunch of heavy gear on it.
Image credit: Sennheiser
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The Sennheiser EW 100 G4-835-S is easily one of the best systems with one of the best wireless mics for live performances. The range and clarity of this system makes it a top-rated system with the best value.
2. Shure PGXD24/SM58
The best simple mic system package for the money
The Shure PGXD24/SM58 is one of the best microphone system packages if you need something simple and don’t have much room in your budget. The PGXD24/SM58 system operates within the 900 MHz band so it’s not going to conflict with any of the FCC’s frequencies, and provides you with crystal clear, high-fidelity 24-bit audio.
With the PGXD2/SM58 handheld transmitter you can get up to 200 feet away from the receiver and you’ll still be able to get a great-sounding audio signal. If you need a little boost in volume, the mic has a button for an added 10 dB of gain, which can come in handy during low-volume performances or with weaker vocalists. This small feature also makes the PGXD24/SM58 system a good option for churches, as oftentimes speakers or singers hold microphones too far away from their mouth, so having that extra gain can make things a bit easier for audio engineers.
Like most wireless mics that have transmitters, the Shure SM58 runs on 2 AA batteries. The overall sound of the microphone is fantastic, with a balanced and natural sound, while not being overly bright or muddy. Being a dynamic mic, the SM58 has a cardioid pattern, so it doesn’t pick up too much background noise, making it ideal for both indoor stage performances and outdoor gigs.
If you have more than one singer who needs a wireless mic, the good thing is that you can use 5 different PGXD24 units together without crosstalk issues.
The PGXD24/SM58 is very easy to use, with the receiver having a button to sync the receiver and transmitter, and a button to find the next open frequency channel. The overall design of the system is quite durable, with Shure products being especially rugged. Both the microphone and receiver are made from hard plastic that will stand up to most rough handling on tour.
Image credit: Shure
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The Shure PGXD24/SM58 wireless microphone system is a great option if you aren’t willing to sacrifice sound quality to save money. I highly recommend this microphone system for audio engineers who work at churches, or just for churches in general, as this is an affordable option that sounds very good in terms of audio, not just price.
3. Audio-Technica ATW-1102
A cheaper yet reliable digital wireless mic system
Audio-Technica is very well known for their condenser microphones that sound great in the studio, but they also have some awesome dynamic microphones and microphone systems. The System 10 ATW-1102 is a best-selling, ultra-reliable system that comes with one of the best wireless handheld microphones, the ATW-T1002.
The ATW-1102 system is a top-end, high-fidelity receiver and transmitter combo. The ATW-R1100 receiver is easily connected to the cardioid pattern dynamic microphone transmitter of the ATW-T1002. The ATW-R1100 offers easy control of volume while displaying the peak level and indicator lights to ensure the microphone transmitter and the receiver are synced. The frequency range of the receiver is 2.4 GHz, ensuring that there will be no TV or 3G interference on the channel.
Upon setting up the gear, the microphone receiver actually automatically chooses a frequency channel, syncs to the mic transmitter, and from there you’re ready to go. Unlike many of the models shown in this list, the ATW-1102 system only allows one microphone to be synced to a receiver, so you’ll have to get more individual System 10 packages if you have multiple mics.
The microphone, the ATW-T1002, is one of the best budget wireless microphones on the market. Its frequency response range is around that of your standard dynamic mic, 40 Hz to 16 kHz. The microphone provides clear audio with a good frequency response. Overall there is very little latency, an undetectable amount.
To make it easier for the user to not have to intervene in the case of crossed signals, System 10 constantly scans for open frequencies and leaves 2 open in case it needs to switch. The ATW-1102 is an advanced system great for preventing feedback while allowing for a high-quality sound from one of the most popular microphone manufacturers, so performers will be able to avoid feedback laden mishaps with ease.
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For a simple, easy to use microphone system with a pretty good mic, the Audio-Technica ATW-1102 is quite advanced. Audio engineers will appreciate the ease of use and performers will love the sound quality. For a simple, small venue mic system, get the ATW-1102 from Audio-Technica.
4. Shure QLXD24/SM58
The best Shure wireless microphone system and mic
Shure is without a doubt one of the best manufacturers of microphones and microphone systems, both wired and wireless. The QLXD24/SM58 is a digital wireless microphone system that comes with one of Shure’s top dynamic microphones, the SM58.
The QLXD24/SM58 produces 24-bit audio for crystal clear, accurate audio reproduction, and uses radio frequencies to connect to the wireless SM58 microphone, ensuring that you won’t have any interference while performing. It has an impressively low amount of latency at only 2.9 milliseconds and also features network control, and is encrypted for extra security.
The QLXD24/SM58 is extremely easy to set up; with the touch of a button the receiver finds an open radio frequency channel and from there you sync the microphone to the receiver. The frequency response range of the receiver is the standard 20 Hz to 20 kHz, so listeners will hear the full vocal sound of the performer, with authenticity and accuracy. If you need to use a channel for multiple microphones, the QLXD24/SM58 has 17 compatible channels per 6 MHz TV channel. It also has extreme RF efficiency for getting more channels on air without taking up as much of the spectrum.
The unit itself is made with a sturdy metal, it can hold up against rough handling if you plan to take this on tour rather than keep it in one place. The very rugged SM58 microphone is included with a wireless receiver and it has an incredible response perfect for singing or speech.
The SM58 has an internal pop filter and a unidirectional polar pattern to avoid picking up plosives or background noise. The frequency response range is 50 Hz to 15 kHz, which is not as wide as others, but still very generous. The microphone is extremely sturdy and will absolutely stand up to the harsh demands of performing, indoors or out.
Image credit: Shure
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I have had the pleasure of using the Shure QLXD24/SM58 and other Shure mic systems when I worked as an audio engineer for a church. The QLXD24/SM58 sounds great, is easy to set up, and audio engineers working a variety of events at mid-sized venues will enjoy using the microphone system. While it is a bit expensive for a microphone system unit, I would still highly recommend it because of its stunning audio quality.
5. GTD Audio G-733H
Multiple microphones on a little budget
GTD Audio is not super well known, but when it comes to wireless microphone systems, their gear is applauded by happy users from all around the world. If you are in need of a top-quality microphone system with two microphones instead of the standard one mic, the G-733H is an option you’ll want to take a look at.
The G-733H combines quality and price into an affordable, budget-friendly package that actually sounds very good despite the price tag being so low. The G-733H was made with professional environments in mind, so you’ll have no problem using this system in a hotel, a school, or a church. The receiver in this package automatically connects to the transmitter to provide a very easy, painless setup.
You get 800 selectable frequency channels with automatic frequency scanning, so there is very little chance of any RF interference, and if the receiver does find an interference it will switch the channel for the receiver. Multiple units can be used at the same time, which adds to the appeal of this mic system.
The two included microphone transmitters have a frequency response of 35 Hz to 18 kHz, which is about standard, and the sound quality is very clear and crisp. While they may not be as high-quality as Shure or Sennheiser mics, these are definitely some of the best wireless microphones under $100 that you’ll be able to find as part of a whole system.
The operation range of the G-733H is a whopping 600 feet, so you will have no problem performing in larger venues while your audio signal remains clear, balanced, and present no matter where you are as long as you’re within range of the receiver.
A special feature of this system is that it has a Tone Lock Squelch circuit. This special circuit locks down on the signal and automatically detects and prevents any type of interference from Wi-Fi routers, other microphones, radios, and more.
Image credit: GTD Audio
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The GTD Audio G-733H dual microphone system is definitely a great value package that you should take a look at. It provides you with very nice-sounding UFH audio, a large operation range, and is ideal for larger venues like churches or outdoor areas.
6. Sennheiser XSW 1-835 Dual-A
Reliable, flexible, and a professional sound
Sennheiser’s quality in microphones and microphone systems seems to get better every year, and the XSW 1-835 Dual-A is a product that holds Sennheiser to the high-quality standard that they advertise to the music production industry. The XSW 1-835 Dual-A is definitely one of the more hi-tech options on this list.
The XSW 1-835 Dual-A is a dual-mic microphone system that uses Sennheiser’s e 835 cardioid microphone capsules. The XS Wireless 1 receiver is a professional-grade receiver with two channels (one for each mic). The receiver is very easy to use, and automatically synchronizes with the e 835 microphones upon powering up. The sleek design of the receiver and large screen make it very easy to read the channel number and keep track of the battery life of each microphone, so live audio engineers will surely be fans of this small but convenient feature.
The XSW receiver allows you to scan for open frequencies, change channels up and down, as well as adjust the individual volumes of the microphones when they are connected. This allows audio engineers to have more control over the base mic volumes than they would from controlling the volume with a mixing board. With this receiver, you can operate up to 10 wireless connections at the same time, making it especially useful for bands on tour or even members of a theater production.
The transmitters and receiver are sweat-resistant and durable enough to withstand rough use and bumps during transport, so these are absolutely ideal for a touring environment. The e 835 microphone transmitters are a great choice for those who want their vocals to cut through the mix as the frequency curve is slightly boosted at 3 kHz to 5 kHz, and then frequencies up to 12 kHz are also boosted for more brightness. They are battery operated with 2 AA batteries and can last for up to 10 hours, which is quite a generous amount of time.
Image credit: Sennheiser
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If you need a dual mic system that makes your vocals stick out in a mix, the Sennheiser XSW 1-835 Dual-A is an ideal choice for you. With a professional-grade sound tailored for vocals, this system has one of the best microphones for singers.
7. Behringer Ultralink ULM302MIC
A compact mic system for two
Yet another dual microphone mic system deserves to be on this list: the Behringer Ultralink ULM302MIC. The Ultralink ULM302MIC is a more compact dual microphone system and it comes at a very reasonable price. This system features the ULM300RD dual-channel receiver and two ULM300M wireless handheld microphones.
The ULM300RD receiver operates in the 2.4 GHz band which allows you to use the microphones anywhere in the world without a license. The receiver has a range of up to 200 feet, so you’ll be able to use this system in a small to midsize church, bar, theater, or other venue. The receiver and transmitter pair effortlessly and automatically upon powering the system up.
The high-quality audio signal is digitally encrypted with the receiver to prevent any type of interference or digital artifacts from interrupting or distorting the microphones’ signal. Displayed on the receiver is the volume level of each mic channel, a battery level indicator light, and an audio light to ensure that audio is indeed going from the transmitter to the receiver.
The ULM300M microphones included have an accurate and natural sound to them, and they have an extremely impressive battery life of 24 hours with just 2 AA batteries. A feature that makes these mics ideal for karaoke is a built-in volume control. The microphones have an up and down button for volume in case you feel like you’re about to get some nasty feedback. In the case of karaoke, if you’re without an audio engineer this feature is especially helpful, but fiddling with it while an engineer is mixing could easily cause adverse effects.
Image credit: Behringer
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The Behringer Ultralink ULM302MIC would be a great system to have for karaoke, as the ULM300M microphones are easily some of the best wireless microphones for karaoke. That being said, the ULM302MIC system could easily be integrated into a small church or used for live performances at a school or another similar venue if need be, as the quality is still very, very good, but beware the individual mic volume controls as they can definitely cause unwanted feedback or prevent the sound engineer from keeping the mic volumes level.
8. Xvive Audio Xvive U3
A wildcard wireless system for wired mics
If you already have some microphones and don’t want to spend money on a whole wireless mic system, you’re in luck because there’s an option for you: a wireless transmitter that plugs into the XLR jack of your wired mics. The Xvive U3 doesn’t come with a microphone; instead you get a wireless transmitter system.
The system is very easy to use; the transmitter simply plugs into the XLR jack on any wired dynamic microphone, and the receiver plugs into the corresponding channel on your mixer. In seconds you have a wireless microphone without having to shell out several hundred dollars for a whole microphone system, which is extremely convenient. This is great if you don’t want to sacrifice the tonal characteristics or frequency response range of your current wired microphone.
The transmitter part of this tiny unit operates on the 2.4 GHz band and it has less than 5 milliseconds of latency. This makes it perfect for vocals as you won’t have to deal with any radio frequency interruption or the annoyance of a large amount of latency. Because this is more of a portable transmitter and receiver, you can easily use the U3 with public address systems, high-quality video cameras, or your traditional recording gear.
The U3 is absolutely perfect for traveling with, so if you are a street performer or you just enjoy making music at the park or being able to have access to a wireless microphone at a moment’s notice, this will be great for you. The unit is very small and extremely durable so it will stand up to the demands of traveling and going on tour. It is powered by a rechargeable battery that gives you around 5 hours of usage as long as you’re not overdoing it, so you’ll have plenty of battery life for a small gig.
Image credit: Xvive Audio
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The Xvive Audio U3 is a handy wireless microphone system that I believe should be in every singer, producer, or musician’s arsenal. It is compact, reliable, and sounds great. Those who love to travel and make music will especially get a kick out of it. I highly recommend this microphone system.
9. Rode Wireless GO
A clip-on mic system for hands free use
Rode has some absolutely fantastic mics, especially condenser mics, but they’ve also come out with some very nice portable microphone systems that allow you to be hands-free while performing or recording. The Rode Wireless GO is a compact, portable wireless microphone system that clips onto your shirt or belt.
The Wireless GO transmitter has an omnidirectional condenser capsule built into it, so you don’t even necessarily need to use a microphone with it. If you do want to up the sound quality a bit and reduce room noise, you will need to get a compatible Rode lapel/lavalier microphone or a headset microphone. The lapel or headset microphone will seamlessly integrate with the Wireless GO, and allows for even more uses like speaking at a church, festival, or school with a PA system.
I wouldn’t personally use this type of compact microphone system to record singing, as they are often very prone to feedback, but for speech, the Wireless GO is an ideal choice. The most ideal uses for this microphone system are in the content creation world; the Wireless GO is great for filmmakers, on camera presenters, vloggers, TV journalists or news reporters, and even video game livestreamers.
The transmitter and receiver pair automatically within seconds, and the operation range is around 230 feet as long as there are not many signal obstructions like radio frequencies in the way. The transmitter operates in the 2.4 GHz range which will help you avoid interferences, but because the mic has such a short operation range in terms of distance, you may not always get so lucky. However, you can run up to 8 different Rode Wireless GO units in one location, making it great for theater or school performances as well.
The transmitter has a built-in rechargeable battery that lasts up to 7 hours, and it also features a pad attenuation button (0 dB, -12 dB, and -24 dB) and a battery saver mode.
Image credit: Rode
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The Rode Wireless GO is the best compact option if you want flexibility between a built-in mic and an external mic, especially if you aren’t able to hold a microphone or need it to be hidden for performance purposes.
10. Line 6 XD-V75
Setting a new standard in digital wireless systems
Line 6 is more well known for their large selection of guitars, amplifiers, and effects pedals, so you may be surprised to find that they offer wireless microphone systems as well. The XD-V75 is a digital wireless microphone system that is very impressive for being made by a company that specializes in guitars.
The XD-V75 provides you with 14 frequency channels of 24-bit audio to connect your Line 6 microphone to with a large frequency response range of 10 Hz to 20 kHz, which is very impressive for a dynamic mic, especially with the low frequencies. Using microphone modeling technology, Line 6’s V75 microphone delivers high-quality sound that is practically indistinguishable from some of the world’s most popular dynamic mics for performing.
The mic system provides ultra-clear, high-quality audio that sounds natural and remains accurate to the singer’s voice. I would go as far as to say that the V75 mic could very well be one of the best wireless microphones for singers. At the touch of a button on the transmitter, you can employ some of the world’s most popular live performance mics, including the Shure SM58, Audio-Technica AE4100, and more.
With this system you won’t have to worry about radio interference either, as the system is FCC compliant and the respective channels lock once synced, thanks to the Digital Channel Lock (DCL) feature, so your voice won’t cut in and out while performing. The range of the receiver goes up to 300 feet, so you’ll be able to comfortably perform in a church, at a karaoke bar, or a gig medium to medium large in size.
The receiver displays the audio signal and the battery status of the microphone on a large LCD screen. If you’re an audio engineer this will be especially helpful so can stay on top of your vocalist’s performance no matter what.
The overall design of the XD-V75 is very durable and will help the system stand up against wear and tear, as well as dirt and grime from touring.
Image credit: Line 6
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The Line 6 XD-V75 is an amazing mic system. If you only need one unit, it’s pretty cost-effective considering you get a microphone that has some really impressive modeling capabilities.
Conclusion
This concludes our wireless microphone and microphone system reviews. The information provided here will give you a good idea of what microphone systems are ideal for your venue or performative needs, but you will likely want to take a look at some wireless mic reviews online to solidify your decision before purchasing.
Remember that the microphone system you’ll need will depend on your vocal setup and how many vocal performers there will be. Different types of microphones work better than others in some cases, so be sure to consider all your options before purchasing.
For more information on the best music production gear available online, be sure to check back again with Consordini in the near future!